Details

Heroines of Comic Books and Literature


Heroines of Comic Books and Literature

Portrayals in Popular Culture

von: Maja Bajac-Carter, Norma Jones, Bob Batchelor, Sandra J. Lindow, Tricia Clasen, Lauren Lemley, K. A. Laity, Adina Schneeweis, Christina M. Smith, Mauricio Espinoza, Itir Erhart, Hande Eslen-Ziya, Christopher Paul Wagenheim, Anita McDaniel, Sharon Zechowski, Caryn E. Neumann, Trina Robbins, April Jo Murphy, Nathan Miczo, Roy Cook, Joseph J. Darowski, T. Keith Edmunds, Fernando Gabriel Pagnoni Berns, Michael R. Kramer

36,99 €

Verlag: Rowman & Littlefield Publishers
Format: EPUB
Veröffentl.: 14.03.2014
ISBN/EAN: 9781442231481
Sprache: englisch
Anzahl Seiten: 274

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Beschreibungen

<span><span>Despite the growing importance of heroines across literary culture—and sales figures that demonstrate both young adult and adult females are reading about heroines in droves, particularly in graphic novels, comic books, and YA literature—few scholarly collections have examined the complex relationships between the representations of heroines and the changing societal roles for both women and men.<br><br>In </span><span>Heroines of Comic Books and Literature: Portrayals in Popular Culture</span><span>, editors Maja Bajac-Carter, Norma Jones, and Bob Batchelor have selected essays by award-winning contributors that offer a variety of perspectives on the representations of heroines in today’s society. Focused on printed media, this collection looks at heroic women depicted in literature, graphic novels, manga, and comic books. Addressing heroines from such sources as the Marvel and DC comic universes, manga, and the Twilight novels, contributors go beyond the account of women as mothers, wives, warriors, goddesses, and damsels in distress.<br><br>These engaging and important essays situate heroines within culture, revealing them as tough and self-sufficient females who often break the bounds of gender expectations in places readers may not expect. Analyzing how women are and have been represented in print, this companion volume to </span><span>Heroines of Film and Television</span><span> will appeal to scholars of literature, rhetoric, and media as well as to broader audiences that are interested in portrayals of women in popular culture.</span></span>
<span><span>This edited collection offers a variety of perspectives focusing on representation of women as heroines across printed media. In addition, the book extends the discussion of heroines for the broader audience, which provides a much needed, more nuanced discussion of this topic across American popular culture. Contributors go beyond the expected account of women as mothers, wives, warriors, goddesses, and damsels in distress, to provide innovative analysis that situates heroines within culture, revealing them as tough, self-sufficient, and breaking the bounds of gender expectations in places readers may not have expected. Addressing portrayals from Marvel and DC universe, manga, Jack London’s novels, to real-life heroes of Iraq war, this is an indispensable book for scholars in rhetoric, literature, popular culture, and others interested in women’s issues. </span></span>
<span><span>Acknowledgments</span></span>
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<span><span>Introduction</span></span>
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<span><span>I. Literature</span></span>
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<span><span>Chapter 1: To Heck with the Village: Fantastic Heroines, Journey and Return, </span><span>Sandra J. Lindow</span></span>
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<span><span>Chapter 2: From Duckling to Swan: What Makes a Twilight Heroine Strong, </span><span>Tricia Clasen</span></span>
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<span><span>Chapter 3: Salem’s Daughters: Witchcraft, Justice, and the Heroine in Popular Culture, </span><span>Lauren Lemley</span></span>
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<span><span>Chapter 4: Heroine: Christina of Markyate, </span><span>K. A. Laity</span></span>
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<span><span>Chapter 5: The Bohemian Gypsy, Another Body to Sell: Deciphering Esmeralda in Popular Culture</span><a></a><span>, </span><span>Adina Schneeweis</span></span>
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<span><span>Chapter 6: Writing Women in War: Speaking Through, About, And For Female Soldiers in Iraq, </span><span>Christina M. Smith</span></span>
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<span><span>II. Exotic, Foreign, Familiar, and Queer</span></span>
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<span><span>Chapter 7: The Borderland Construction of Latin American and Latina Heroines in Contemporary Visual Media, </span><span>Mauricio Espinoza</span></span>
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<span><span>Chapter 8: Janissary: An Orientalist Heroine Or a Role Model For Muslim Women?, </span><span>Itir Erhart</span><span> &amp; </span><span>Hande Eslen-Ziya</span></span>
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<span><span>Chapter 9: Representations of Motherhood in X-men, </span><span>Christopher Paul Wagenheim</span></span>
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<span><span>Chapter 10: Negotiating Life Spaces: How Marriage Marginalized Storm, </span><span>Anita McDaniel</span></span>
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<span><span>Chapter 11: The Mother of All Superheroes: Idealization of Femininity in Wonder Woman, </span><span>Sharon Zechowski</span><span> &amp; </span><span>Caryn E. Neumann</span></span>
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<span><span>Chapter 12: Wonder Woman: Lesbian or Dyke? Paradise Island as a Woman’s Community, </span><span>Trina Robbins</span></span>
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<span><span>Chapter 13: Homicidal Lesbian Terrorists to Crimson Caped Crusaders: How Folk and Mainstream Lesbian Heroes Queer Cultural Space, </span><span>April Jo Murphy</span></span>
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<span><span>III. Contemporary American Graphic Novels/Comics</span></span>
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<span><span>Chapter 14: Punching Holes in the Sky: Carol Danvers and the Potential of Superheroinism, </span><span>Nathan Miczo</span></span>
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<span><span>Chapter 15: Jumping Rope Naked: John Byrne, Metafiction, and the Comics Code, </span><span>Roy Cook</span></span>
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<span><span>Chapter 16: Invisible, Tiny, and Distant: The First Female Superheroes of the Marvel Age of Comics, </span><span>Joseph Darowski</span></span>
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<span><span>Chapter 17: Heroines Aplenty, but None My Mother Would Know: Marvel’s Lack of An Iconic Superheroine , </span><span>T. Keith Edmunds</span></span>
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<span><span>Chapter 18: Liminality and Capitalism in Spider-Woman and Wonder Woman, or: How to Make Stronger (i.e. male) Two Super Powerful Women, </span><span>Fernando Gabriel Pagnoni Berns</span></span>
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<span><span>Chapter 19: Empowerment as Transgression: The Rise and Fall of The Black Cat in Kevin Smith’s The Evil That Men Do, </span><span>Michael R. Kramer</span></span>
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<span><span>Index</span></span>
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<span><span>About the Editors and Contributors</span></span>
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<span><span>Maja Bajac-Carter</span><span> is a doctoral candidate in Communication Studies at Kent State University. Her research focuses on gender, identity, and media studies. She is a contributor to </span><span>We Are What We Sell: How Advertising Shapes American Life . . . and Always Has </span><span>(2014).</span></span>
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<span><span>Norma Jones</span><span> has a PhD in communication and information from Kent State University. She is an editor of Rowman &amp; Littlefield's Sports Icons and Issues in Popular Culture book series and is coeditor of </span><span>Aging Heroes: Growing Old in Popular Culture </span><span>(Rowman &amp; Littlefield, 2015).</span></span>
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<span><span>Bob Batchelor</span><span> teaches in the Media, Journalism &amp; Film department at Miami University and is the founding editor of the </span><span>Popular Culture Studies Journal</span><span>. Batchelor edits the Contemporary American Literature and Cultural History of Television book series for Rowman &amp; Littlefield. Among his books are </span><span>John Updike: A Critical Biography</span><span> (2013), </span><span>Gatsby: The Cultural History of the Great American Novel</span><span> (Rowman &amp; Littlefield, 2014), and </span><span>Mad Men: A Cultural History</span><span> (Rowman &amp; Littlefield, 2016).</span></span>

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